Slow Horses

Aug. 6th, 2022 05:20 am
tiggymalvern: (charles-erik good isn't it?)
We really enjoyed this short (only six eps) series. MI5 are investigating a racially motivated kidnapping, but the more that's discovered, the messier it all starts to look, with politics and extremism intersecting. When it all goes very wrong, the race is on to find someone to blame, and then it's spy vs spy as the people in the frame try to both prove their innocence and solve the case.

Great cast, headed by Gary Oldman and Kristen Scott Thomas, with solid characters and writing that keeps the story moving at a pace that's never boring and not too frenetic. I took a little while to warm up to the first episode (my reaction after the first five minutes with Gary Oldman was, 'The 1970s would like their cliche back'), but it all becomes far more complex, with a secondary mystery of the gradually revealed backstory between Oldman's character and one of his old cold war era colleagues.

Season two has already been filmed, but not yet released.
tiggymalvern: (illuminating - base by littlemissstars)
I started watching Servant of the People on Netflix out of curiosity. I continued watching it because it's actually good and really entertaining.

In some respects, it's nothing groundbreaking. A lot of the jokes and style will be familiar to anyone who's seen things like Yes, Minister and The West Wing. It's political comedy and there's definitely overlap. But those comparisons are good ones, because overall, Servant of the People is political comedy done really well, and with serious points to make beneath the laughs.

Zelenskyy is great in it. He's clearly committed, and he has a fabulous face for deadpan humour. This is a man who's good at what he does. Some of the comedy is really clever, witty dialogue, and some of it edges towards farce - there's a bit of everything in there. A few bits here and there didn't quite come off for me, but comedy is never going to be 100%.

And it's crazy. Because Zelenskyy and his team spent three years writing a comedy about just how hard it would be for a political outsider to try and reform the system, how entrenched the problems were, and how everyone who'd been milking the country would be acting against them in every possible way. And then after that, they said, 'Fuck it, shall we try it anyway?' And they tried it, knowing exactly how shitty it would be.

The truly sad thing is that there's a pathos to watching it now which was never intended and shouldn't be there. Because while you're watching it, there's always the awareness that this brilliant, funny man and his team set out to fix a country against impossible odds, and ended up hiding underground watching it be bombarded into an even more horrific mess, because of the ego of one evil maniac.

I'm frustrated too, because season one of Servant of the People ends on something of a cliffhanger (though not the cliffhanger you're thinking it might be). I really want to watch the rest of it, but Netflix only has season one. The Pirate Bay has seasons two and three for download, but there are no English subs available anywhere ::cries::

So, dammit, everyone, go and watch Servant of the People so that Netflix will buy the rest of it!
tiggymalvern: (owl stare)
Encounter opens with something falling to earth from space. An insect feeds from the forest floor. A praying mantis eats the insect. Then a mosquito flies through a window and feeds on a sleeping human.

Later, Malik Khan (Riz Ahmed) wakes his kids in the night and tells them they're taking a surprise road trip; they have to be quick and they have to be quiet.

When the older boy looks in dad's bag, finding weird photos and highlighted documents, Malik explains he's taking them to a special military base, one of the few places still known to be safe. But as the journey goes on, the child starts to grow suspicious of that story. Is Malik a marine who gained access to classified documents about a mind-controlling alien parasite? Or is he a delusional PTSD-sufferer, frantically trying to save his children from a threat that only exists in his own head?

Encounter is a tight psychological drama with a side of US social commentary. Ninety percent of the film is told from Malik's perspective, and Riz Ahmed is of course brilliant in it. Crucially for a film like this, the child actors are up to the job as well.

This film is rated poorly at imdb and rotten tomatoes, which is a real shame, because those people are wrong. I suppose if you sat down to watch a cool alien invasion movie, you'd be disappointed to find yourself watching a small psychological film about a family under stress. I found it well filmed, well paced, with a great performance from Ahmed, and I score it 4/5. Find it on Amazon Prime.
tiggymalvern: (need to read)
I bought this book years ago, after watching Ang Lee's beautiful film. I wanted to read it to see how the book compared to the film, and then I somehow forgot it? I found it while I was sorting through books for things to go to the charity shop and realised that I'd never actually read it, but somehow it got shelved with the books that I had.

So very belatedly, I read Life of Pi, and the answer to my question is that it compares exactly with the film. Ang Lee changed nothing, he shot the source extremely faithfully. And since I saw the film first, that was detrimental to the book. Because Ang Lee's visuals were absolutely stunning. Had I read the book first, I think it would have impacted me more, but the cinematography of the film added so much to the book while the script took nothing away, that this is one of the rare cases that I think the film is actually superior to the novel.
tiggymalvern: (wanna come get me?)
I have a mixed relationship with Almodovar's films. Some of them I adore and want to hug and squeeze so hard (Volver), some I wish I could scrub from my brain and forget I ever saw (Talk to Her). I love Antonio Banderas, and not just because he's half of one my big fandom slash pairings of old, but because I have huge respect for his willingness to play gay roles from back when that was widely regarded as career sabotage, in the 80s.

Pain and Glory has been on Hulu for a little while now - it sounded from the reviews like a departure from Almodovar's usual style, and I knew I'd have to be in the right mood to watch it, and that came today. Banderas plays an ageing writer and director who suffers from chronic pain and health conditions that trigger depression. He feels that if he's not physically fit enough to make films, his life is worthless, and the film looks back over episodes from that life, from his childhood and his early film career.

It's a good film; well shot, really well acted (Banderas deserves all the accolades he got for it). Slow and emotional, it has a few moments of humour to lift it, but not as many as is typical of Almodovar. Watched it, found it exactly as interesting as I'd expected, won't bother to go back there.
tiggymalvern: (tilted turned twisted)
We watched the last of this series tonight. It evolved well, starting off very much as an anthology series, and then the last few episodes formed an arc that dragged in threads from many of the earlier stories.

There were some nice moments towards the end - clearly the authors of the series hold the same attitude to the 'Steve Rogers goes back to the past' conclusion to the MCU arc that the fans did, which is amusing.

Like any anthology series, there were a couple of episodes that were definitely weaker than the rest, but overall it was solid. Some episodes were just plain silly, others were very much a downer, and it's good that the writers were left to choose the tone they wanted. Enjoyed watching it, won't bother to watch again.

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